Director John Cromwell’s sleek and shiny 1938 escapist exotic adventure epic stars Charles Boyer as Algiers Casbah thief Pépé le Moko, who falls in love with the beautiful Gaby (Hedy Lamarr) – understandable, but a mistake! – in this wildly romantic Hollywood remake of the 1937 Jean Gabin French classic Pépé le Moko.
It is perhaps surprising that the material works so well again without the doom, the gloom, the poetry and the sheer Frenchness of the original. But it does, thanks to the ideally cast Boyer (who does not actually say the infamous line ‘Come wiz me to zee Casbah’), the strong support (especially of Joseph Calleia as Inspector Slimane, the dogged cop on Pepe’s trail and Gene Lockhart as the informer Regis), Walter Wanger’s lavish production, James Wong Howe’s striking black and white cinematography, Alexander Toluboff’s marvellous set designs and Cromwell’s moody, atmospheric direction.
There were four Oscar nominations – Best Actor (Boyer), Best Supporting Actor Lockhart), Best Cinematography (James Wong Howe) and Best Art Direction (Alexander Toluboff).
Also in the cast are Sigrid Gurie, Alan Hale, Joan Woodbury, Claudia Dell, Robert Greig, Stanley Fields, Leonid Kinskey, Walter Kingsford, Paul Harvey, Bert Roach, Nina Koshetz, Joan Woodbury, Charles D Brown, Johnny Downs and Luana Walters.
Algiers is directed by John Cromwell, runs 96 minutes, is a Walter Wanger Productions production, is released by United Artists, is written by James M Cain and John Howard Lawson, is shot in black and white by James Wong Howe, is produced by Walter Wanger, is scored by Vincent Scotto and Mohammed Igorbouchen, and is designed by Alexander Toluboff.
It is Lamarr’s American film debut, following her sensational Ecstasy (1933), and was followed a year later by Lady of the Tropics (1939).
It was made again as Casbah (1948) with Tony Martin, Yvonne De Carlo and Peter Lorre.
© Derek Winnert 2016 Classic Movie Review 4297
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