Writer-director Can Evrenol makes his feature début, after eight short films, remaking his eighth short Baskin. He goes all out to shock in his Turkish horror movie story that follows a squad of unsuspecting cops who first bicker and argue and fight, then go through a trapdoor and stumble on a Black Mass in an abandoned building.
After a long, slow build-up with a lot of quite interesting and involving dialogue and character building à la Tarantino, the torture horror is extreme and stomach-churning, in the repellent manner of Eli Roth’s Hostel (2005), which is quite disgusting. But this is otherwise a well-done movie, with strong characters, striking dialogue, an eerie score and eye-catching, darkly flashy cinematography that makes it all quite stylish.
Mehmet Cerrahoglu carves his way into the memory as a new icon of fear – Baba, The Father. And Baskin makes its case as a must-see for fans of visceral body horror.
© Derek Winnert 2016 Movie Review
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