Recent Posts
- Hand in Hand *** (1960, Loretta Parry, Philip Needs, Sybil Thorndike, John Gregson, Finlay Currie, Derek Sydney, Miriam Karlin, Kathleen Byron) – Classic Movie Review 13,327
- Attempt to Kill ** (1961, Tony Wright, Derek Farr, Richard Pearson, Freda Jackson) – Classic Movie Review 13,326
- A Hitch in Time *** (1978, Patrick Troughton, Michael McVey, Pheona McLellan, Jeff Rawle, Sorcha Cusack) – Classic Movie Review 13,325
- Man at the Carlton Tower *** (1961, Maxine Audley, Lee Montague, Alfred Burke, Allan Cuthbertson) – Classic Movie Review 13,324
- Beyond the Door [Chi Sei?] [The Devil Within Her] * (1974, Juliet Mills, Richard Johnson, Gabriele Lavia, Elizabeth Turner, David Colin Jr) – Classic Movie Review 13,323
- Beyond the Door II [Schock] *** (1979, Daria Nicolodi, John Steiner, David Colin Jr, Ivan Rassimov) – Classic Movie Review 13,322
- Blood Red ** (1989, Eric Roberts, Giancarlo Giannini, Dennis Hopper, Burt Young) – Classic Movie Review 13,321
- The Fourth Square *** (1961, Conrad Phillips, Natasha Parry, Delphi Lawrence, Miriam Karlin, Jacqueline Jones, Anthony Newlands, Basil Dignam, Harold Kasket) – Classic Movie Review 13,316
- Black Memory *** (1947, Michael Atkinson, Michael Medwin, Myra O’Connell, Jane Arden, Frank Hawkins) – Classic Movie Review 13,320
- The Velvet Touch **** (1948, Rosalind Russell, Leo Genn, Sydney Greenstreet, Claire Trevor, Leon Ames, Frank McHugh, Walter Kingsford) – Classic Movie Review 13,319
Posts Tagged "identity swapping"
Check out all of the posts tagged with "identity swapping".
3 Women **** (1977, Shelley Duvall, Sissy Spacek, Janice Rule) – Classic Movie Review 10,471
‘1 woman became 2/2 women became 3/3 women became 1’. Writer-director Robert Altman’s 1977 avant-garde drama film 3 Women is an Ingmar Bergmanesque study of vain old folks’ home worker Millie (Shelley Duvall), new mysterious teenage helper […]
Oct, 27
Suture *** (1993, Dennis Haysbert, Mel Harris, Sab Shimono) – Classic Movie Review 2139
Writer-directors Scott McGehee and David Siegel’s supposedly arty, 1993 black and white neo-noir ‘thriller’ is extremely annoying, but it surprisingly found some fervent admirers and, even more strangely, still stays in the mind years later. Michael […]
Jan, 31
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