Recent Posts
- Hand in Hand *** (1960, Loretta Parry, Philip Needs, Sybil Thorndike, John Gregson, Finlay Currie, Derek Sydney, Miriam Karlin, Kathleen Byron) – Classic Movie Review 13,327
- Attempt to Kill ** (1961, Tony Wright, Derek Farr, Richard Pearson, Freda Jackson) – Classic Movie Review 13,326
- A Hitch in Time *** (1978, Patrick Troughton, Michael McVey, Pheona McLellan, Jeff Rawle, Sorcha Cusack) – Classic Movie Review 13,325
- Man at the Carlton Tower *** (1961, Maxine Audley, Lee Montague, Alfred Burke, Allan Cuthbertson) – Classic Movie Review 13,324
- Beyond the Door [Chi Sei?] [The Devil Within Her] * (1974, Juliet Mills, Richard Johnson, Gabriele Lavia, Elizabeth Turner, David Colin Jr) – Classic Movie Review 13,323
- Beyond the Door II [Schock] *** (1979, Daria Nicolodi, John Steiner, David Colin Jr, Ivan Rassimov) – Classic Movie Review 13,322
- Blood Red ** (1989, Eric Roberts, Giancarlo Giannini, Dennis Hopper, Burt Young) – Classic Movie Review 13,321
- The Fourth Square *** (1961, Conrad Phillips, Natasha Parry, Delphi Lawrence, Miriam Karlin, Jacqueline Jones, Anthony Newlands, Basil Dignam, Harold Kasket) – Classic Movie Review 13,316
- Black Memory *** (1947, Michael Atkinson, Michael Medwin, Myra O’Connell, Jane Arden, Frank Hawkins) – Classic Movie Review 13,320
- The Velvet Touch **** (1948, Rosalind Russell, Leo Genn, Sydney Greenstreet, Claire Trevor, Leon Ames, Frank McHugh, Walter Kingsford) – Classic Movie Review 13,319
Posts Tagged "modern art"
Check out all of the posts tagged with "modern art".
La prisonnière [Woman in Chains] *** (1968, Élisabeth Wiener, Bernard Fresson, Laurent Terzieff) – Classic Movie Review 6646
Writer-director Henri-Georges Clouzot’s stylish last film is his only one in colour. An unclassifiable erotic and psychological thriller, it focuses on the troubled mentality of an attractive young a television editor called Josée (Élisabeth Wiener) who […]
Feb, 03
The Square **** (2017, Claes Bang, Elisabeth Moss, Dominic West, Terry Notary) – Movie Review
Writer-director Ruben Östlund’s Stockholm museum satire is provocative, clever and amusing, though it goes on way too long at 142 minutes, and loses its way and its bite in the last 45 minutes. It does […]
Jan, 25
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