Recent Posts
- Guns of Darkness ** (1962, David Niven, Leslie Caron, James Robertson Justice, David Opatoshu) – Classic Movie Review 13,255
- Walk on Water **** (2004, Lior Ashkenazi, Knut Berger, Caroline Peters) – Classic Movie Review 13,254
- The Secret of the Whistler *** (1946, Richard Dix, Leslie Brooks, Michael Duane, Mary Currier, Mona Barrie, Claire Du Brey) – Classic Movie Review 13,253
- Kiss the Boys Goodbye **½ (1941, Don Ameche, Mary Martin, Oscar Levant) – Classic Movie Review 13,252
- Forbidden Cargo ** (1954, Nigel Patrick, Elizabeth Sellars, Terence Morgan, Jack Warner, Greta Gynt, Joyce Grenfell, Theodore Bikel) – Classic Movie Review 13,251
- Voice of the Whistler **½ (1945, Richard Dix, Lynn Merrick, Rhys Williams, James Cardwell) – Classic Movie Review 13,250
- Liuben *** (2023, Dimitar Nikolov, Bojidar Iankov Asenov, Dimitar Banenkin, David de Gea, Stefan Denolyubov, Ramón Esquinas, Stoyan Radev, Antonia San Juan) – Classic Movie Review 13,249
- The Power of the Whistler *** (1945, Richard Dix, Janis Carter, Jeff Donnell) – Classic Movie Review 13,248
- Bond Street ** (1948, Jean Kent, Roland Young, Kathleen Harrison, Derek Farr, Hazel Court, Ronald Howard) – Classic Movie Review 13,247
- Testosterone ** (2003, David Sutcliffe, Celina Font, Antonio Sabato Jr, Jennifer Coolidge, Sonia Braga) – Classic Movie Review 13,246
Posts Tagged "psychological damage"
Check out all of the posts tagged with "psychological damage".
A Woman’s Face **** (1941, Joan Crawford, Melvyn Douglas, Conrad Veidt) – Classic Movie Review 6080
Director George Cukor’s 1941 film noir-style thriller drama A Woman’s Face provides a quintessential vehicle for Joan Crawford as Anna Holm, a blackmailer who cannot get over the psychological damage of her face scarred in […]
Oct, 11
The Prince of Tides ***½ (1991, Barbra Streisand, Nick Nolte, Jason Gould, Jeroen Krabbé, Blythe Danner, Kate Nelligan, Melinda Dillon, George Carlin) – Classic Movie Review 1303
Producer-director-star Barbra Streisand’s troubled 1991 romance is an infuriating half-success of a movie, with enough good stuff to make it attractive and appealing, but also enough to suggest the much better movie it could have been. […]
Jun, 07
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