Though by no means an outrage, director Martin Ritt’s 1964 Western is a misguided attempt to relocate Akira Kurosawa’s 1950 Japanese classic Rashomon to the American Southwest in the 1870s, with four people telling their widely varying versions of the murder of a husband (Laurence Harvey) after bandit Juan Carrasco (a black-wigged Paul Newman) rapes the husband’s wife (Claire Bloom).
Four times for this story means the movie does seem to go on a bit, though it is actually only 96 minutes long, and the performances are not particularly distinguished, despite the good cast, partly because some of them are miscast. Director Ritt tries to keep it on the tracks and to get mileage out of the truth-game idea. However, Rashomon (1950) with Toshiro Mifune is a much better movie.
Michael Kanin’s screenplay comes via the story by Ryunosuke Akutagawa, the screenplay for Akira Kurosawa’s Rashomon and Kanin’s own play version with Fay Kanin.
Also in the story are Edward G Robinson as the Con Man, William Shatner as the Preacher, Albert Salmi as the Sheriff, Howard Da Silva as the Prospector, Paul Fix as the Indian and Thomas Chalmers as the Judge.
James Wong Howe shoots in black and white widescreen. It is produced by Martin Ritt, A Ronald Lubin and Michael Kanin, scored by Alex North, and designed by George W Davis and Tambi Larsen.
© Derek Winnert 2017 Classic Movie Review 6355
Check out more reviews on http://derekwinnert.com